It still should be faster to decode than DNxHR as it's very well designed/optimised codec. Indeed, I think we discussed some of the possibilities of why that may be happening. AVC is short for Advanced Video Coding, and the standard was first published in 2003. Otherwise, you shouldn't need one and can choose a much more compact format. Just no h. DNxHR and ProRes are comparable in quality at the same bitrate. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. It's never advisable. Exporting to a QuickTime format will actually give you a few codec options with alpha channels. ago. PNG has only 8-bit per channel (24-bit). ProRes is only standard because of apple ecosystem. Practically speaking, the ability to only decode ProRes is not enough to build a solid ProRes workflow. 264/265, both will be smooth. Nils Welter Avid DNxHD 175x 10-bit. I am not the prosecutor in a court room here. 97 fps. Step #13. Hollywood, California 90038 USA. I think. Apple ProRes; Avid DNxHR; Blackmagic RAW (which is not a RAW format, but we’ll save that discussion for later. I guess, Cineform debacle was no big deal for some members of the forum, who claimed that they never used Cineform, which "was a stop-gap format for HD shot video 10+ years ago. ProRes is only standard because of apple ecosystem. Here's a table with codecs and their supported frame sizes, bit-depths and a few other key information: link. 8. There was a noticeable difference between 4K ProRes and 4K H. What video formats can Xbox One Play? Ans. From the desk of David Newman, GoPro Technical Fellow and former CineForm CTO. Download. HEVC itself has a distinct distadvantage against ProRes (and even AVC) when it comes to retaining high-frequency noise and detail, for example film grain, so even at 'equivalent' bitrates it might go either way depending on what you're shooting. Earlier this year, Adobe started selectively supporting ProRes Raw, but only for Windows users running Nvidia GPUs. For Preset, select Apple ProRes 422, normally called just ProRes, or Go Pro CineForm YUV 10 bit. 264 is widely used for online streaming due to its high compression efficiency, it sacrifices some image quality. 4 Mbps when set to 1 (Low) for 1920x1080 25 fps and 124. On a Mac I recommend the FTP client app ‘Transmit” by Panic. On the contrary DaVinci Resolve can support MOV with many codecs: MOV Apple ProRes 422, MOV Apple ProRes 4444 XQ 16 bit, Cineform 3D 16 bit, Cineform YUV 10 bit,. It is save to say that any of the above options could be used in almost any situation as a universal codec for capturing, editing, delivering and archival all-in-one. native CineForm codec. Resolve also reports that ProRes 4444 and 4444 XQ files are 16-bit, when in fact only the alpha channel can be up to 16-bit. Codec vs. Tue Aug 28, 2012 6:08 pm. 264 in the timeline and on export. For a look at ProRes in 2009, check out Gary Adcock’s article here, and for the modern, official details, check Apple’s white paper: PDF. Good for performance, yet still. The best and worse uses for CineformThe Cineform codec is a robust and stunning codec for many things, but proxies aren't one of them. With this new update, both macOS and Windows. CineForm. Re-encode the H. Cineform is an excellent alternative, but a bit slower on Macs. I see no option to continue using quicktime and cineform. But, when he exports the footage it looks terrible; green horizontal lines running throughout the frame. Originally Posted by Cornucopia. Cineform uses "wavelet" compression, which means that computing up/down resolutions is very fast compared to other codecs. h. This reference list provides you with a quick and easy way to identify the formats and codecs supported by Blackmagic DaVinci Resolve 18. CineForm was the first of its type to focus on speed, while supporting higher bit depths for image quality. There are a few different software solutions I use as well and will be touching on each when I do the post-production section. One of the best and most versatile codecs is GoPro Cineform (which is found under the QuickTime format). 8-1. You can edit Apple ProRes files in the Photos app or iMovie on iPhone, iPad, and Mac, Final Cut Pro for iPad and Mac, or in third-party editing apps that support ProRes. Cineform is wavelet based (like Jpeg2000, so that's why can be easily decoded at different resolutions), where DNxHR is DCT based, like most codecs out there (ProRes, AVC,. If your video was shot at this size, then you want to upload it in that. My test shown that there are some issue. It's slightly harder for your computer to decode, but only just barely and it works better than Prores on Windows machines by far. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. works with deep color and alpha. These codecs are designed to retain the image quality and details from your source footage but optimized for better playback. Report. Wes Howell • Adobe Employee , Dec 06, 2018. 264 to something else is probably a good thing. In all the tests that I’ve done, Cineform is surprisingly effective at being an easy-to-process codec. 7. 264. CineFormでのレンダー後ファイルもmacは対応していないので。5. They're not painstakingly tweaked for the best possible quality at a given bitrate. How to Render GoPro CineForm 10-bit Video. Translate. Obviously, posting this on a Cineform forum is perhaps going to yield subjective responses, but I'm trying to get to the bottom of how the codecs compare. BluRay uses MPEG2 at 50 For ProRes 422 115M is about what you get at 1080p24. MOV comparison table below. The codec is available in Adobe video apps in CC 2014. Bookmark the permalink. Cineform is best if your project will be going cross-platform at any point. Quote:ProRes 422HQ 10-bit is "Visually Lossless" but same time 1. Here's the details: Add your composition to the render queue (NOT Media Encoder). 264? The hard truth is that H. macOS and iOS. The problem is: it’s frickin MASSIVE. Under 'Advanced features' set 'hardware acceleration' to Nvidia NVENC. Enter the. DaVinci Resolve is very capable even for free, but you need the right hardware! Studio 18. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. Or you can also click "Add" button on the top of. At full quality it's not that much easier than ProRes or DNxHR. Just got confirmation from Blackmagic that "Least, Low, Medium, High and Best" correspond to "Low, Medium, High, Filmscan, Filmscan 2". The profile has been preset to ProRes 422 HQ by default. Cineform Low is a higher datarate than ProRes Proxy Cineform Medium is a lower datarate than ProResLT Cineform High = ProResSQ Cineform Filmscan1 = ProResHQ Cineform Filmscan2 = Doesn't have that high Cineform 444 not equal ProRes444 -- CineForm 444 is RGB based, ProRES is always YUV Cineform 4444 not. So with Cineform, if a frame needs 30 bits, it'll get all 30 bits, whereas ProRes and DNx will limit the bitrate to 20, thus reducing quality. 5. 264 video codec and AAC audio codec. Be kind and respectful, give credit to the original source of content, and search for duplicates before posting. undefined, 视频播放量 undefined、弹幕量 undefined、点赞数 undefined、投硬币枚数 undefined、收藏人数 undefined、转发人数 undefined, 视频作者 undefined, 作者简介 undefined，相关视频：. I think cineform is more used as it's readily encodable by Adobe now on both PC and Mac whereas Prores is still Apple only. The five levels of encoding quality are selected separately from the format, so higher levels of compression are available for 4444 content compared to the limited options available in. Yes, ProRes 422 is vastly better than any H. mp4 and it works fine so I’m guessing this is a DNxHD problem. ProRes 4:2:2. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. 7 Responses to Premiere Pro: Export Faster with. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. In some instances Premiere will. IMO it is a great master codec for Windows/PPro machines- fast, easy to digest, lossless. That being said, starting with a higher quality file is ALWAYS recommended, as YT will always recompress what you upload. mov -map 0 -codec:v libx264 -g:v 1 -profile:v high -tune:v fastdecode -pix_fmt:v yuv420p -crf:v 25 -movflags +faststart myfile_proxy. Now the difference between a proxy and an intermediate codec is that a proxy is just used for offline editing because it is small in size and fast (due to low. These files are created for fast editing and are still highly. Hello fellow professionals, Now that Adobe added Cineform option to our export possibilities, I can see how hugely beneficial this can be to PC users, however, I was wondering when working on MAC, having access to exporting Prores. Like cineform, it will automatically adapt to a wide variety of frame sizes and frame rates. Even using Film Scan 2 though, I am not seeing the same level of. 26x and MPEG standards, the ProRes family of codecs use. Here’s a good way to explain it. Most editors prefer to use Cineform, DNxHD/HR, or ProRes formats for their proxy files in Premiere Pro. Is h265 worth the hassle of so much harder decoding? Maybe in case of a recording format yes (as then storage is precious), but later there is about no point using it as intermediate codec. Set the Codec to Apple ProRes and select one of the available options (e. I would recommend using Cineform proxies. First up is Avid DNxHD 175 8-bit. Adobe After Effects interprets them as 8bit and shows Millions of colors instead of Trillions and unwanted banding appears. MPEG. ), MPEG series, and others like CineForm, VP9, WMV, and royalty-free AV1, etc. . 3 Most Popular Intermediate Codecs There are three main intermediate codecs that are industry standard: Apple ProRes GoPro's CineForm Avid's DNX Export. Re: cineform raw vs prores « Reply #1 on: June 10, 2013, 04:59:16 AM » Cineform made patterns in my footage when converted directly, going from for instance AE to cineform is fine tho. Share. I would recommend using Cineform proxies. 5) 4. Hackintosh:: X299, Intel i9-10980XE, 128GB DDR4, AMD 6900XT 16GB. ProRes isn't Apple-only. A valid assumption. Advantages of Apple Prores format as an editing codec. 265 requer uma quantidade menor de largura de banda em comparação com os codecs H. By default, the source range is set to the work area. H. Cineform is also a high-quality intraframe codec like ProRes and DNxHD/R. 6kの画質が必要な場合はいちいち変換するという作業も発生してしまいます。もともとappleの問題でProRes vs cine-fromという図式もどうかと思う所もあるんですが、 adobeを使えば？1 Correct answer. ProRes is a variable bitrate codec with a maximum, and DNx is a fixed bitrate codec. Under presets, select low resolution cineform. I started with the GoPro CineForm YUV 10-bit-Preset. I have to disagree with Philip on this one – hard drives are cheap – I’d go with ProRES HQ. mov ProRes 4444 XQ 10bit. HEVC: 143MB, 35. HEVC – High Efficiency Video Coding. You can pick other formats than ProRes. 5. – stib. ProRes, DNx and Cineform are all optimized for editing. 一開始只是因為Premiere Pro轉不出120fps的代理素材，結果就給我挖到了這一塊寶。記得開啟cc字幕~開源+免費+免註冊+專業+全能+想得到的轉檔功能. If we think about ProRes or DNxHR/Cineform or any other intermediate codec as a high quality master/working format then they should be actually RGB based end always full. Intermediate vs Long-GOP in a nutshell. This will cover about anything, maybe. I wanted to do an informal test between Avid DNxHD, Apple ProRes HQ, and GoPro Cineform to see how they stacked up through 5 rounds of recompression. Prior to ProRes 4444, if you wanted Alpha Channel Transparency, you had to use Apple’s Animation codec. I need to reinstall MC6 on my system and run it through. Or sign in with one of these services. ProRes is Apple Products, DNx is Avid, Premiere can use any of the three comfortably (it can only read ProRes on Windows) though I think they've started to put. Xbox One supports . If your source media has one, you'll need a proxy/optimized format that has one, eg DNxHD 444 or ProRes 4444. In that case, pick Apple ProRes 4444 with Alpha, or maybe go for Pro CineForm 12 bit with Alpha. Avid kind of has native support for ProRes but ehhhh. For example, if you are smart rendering to an MXF OP1a format, you must enable the smart rendering check box. 2. GoPro CineForm. Codec facts: DNxHR 444, ProRes 4444 and ProRes 4444 QC are the only codecs with embedded alpha channels. Studio for >=4k/Dolby P3D65. That said, ProRes (or DNx/Cineform) is superior to MPEG ALL-I for raw editing performance. easyDCP(3) RGB & YUV422 JPEG2000 video mov, mxf Op1A, mxf Op‑Atom – for IMFs Yes Native, Kakadu RGB, YUV422 and YUV444 (8 ‑bit, 10 bit, 12 bit. mp4 HEVC 444 10bit/16bit. Change Video Previews > Preview File Format to: ProRes 422. The disadvantage is that it will only encode on Mac. 264 but rather prores of cineform. 2K to see the difference between them. But I read an article somewhere a few weeks ago, it was a comparison between Prores, DnxHd and Cineform. 264 is rather slow) but that's okay. You’re in very good company if you don’t understand, intuitively, why one type of codec is better than another - and, specifically, why an I Frame-only codec like ProRes or DNxHD is better than a long-GOP one like H. When delivering 4K, there was a slightly noticeable difference in HQ vs regular. So the difference in file size and data rate is rather small (this was using. More recent examples would be Avid DNxHD® and Apple ProRes®, although both divide the image into blocks using DCT. KineRAW-MINI can save data in CinemaDNG format, while KineRAW-S35 can save data in CinemaDNG and Cineform RAW (one time/both). 264 make good proxy codecs (cineform is rather large and h. 视频不见了？. To export a video with an alpha channel, go to the export settings in Premiere Pro, and select a format that allows for an alpha channel such as Quicktime. Great image quality, with file sizes 30-35% smaller than ProRes 422 HQ. 9). It has a target data rate of 102 Mbps. Meaning that all frames are complete data-sets for that frame. 264/MPEG-4 files, transcoding to a more efficient codec for editing – ProRes, Cineform, DNxHD – makes sense, even though it requires more storage. ProRes vs DNxHR vs Cineform (i. Provides real-time editing performance comparable to or better than that of any other HD codecs in Final Cut Pro. 2 Upvotes. You won't want less than ProRes 422 HQ for final results anyway. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. For this reason, many post-production facilites have abandoned ProRes and implemented a full DNxHR workflow. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Re: h264/265 vs DNxHR LQ proxies in Studio. Native, Kakadu RGB, YUV422 and YUV444 (8‑bit,. 6 and later; iPad Pro 12. Check 'Max Quality'. MPEG-1, MPEG-2. It will show you the bitrate of. FFMPEG can decode and encode it with alpha. Nope. When delivering HD, I noticed no difference between 4K ProRes HQ and 4K ProRes. Download and info for Video Space Calculator. 1, and plays system-wide if you download the free player or free GoPro Studio app. . 8. We’re making this change to improve playback and export times when working with rendered preview files. This tutorial will gui. mov. Below is the normal. avi -c:v prores -profile:v 3 -c:a pcm_s16le output. 6k mini with a real person then exported as DNX HD 444 12 Bit with the same minor adjusts to the log clips, saturation and contrast. It is widely used for 4K video editing and offers excellent image fidelity and efficient compression, making it the most popular codec in professional post-production workflow. (h265) - High-efficiency video coding is the successor of Advanced video coding. Apple ProRes 4444 is a high-quality solution for storing and exchanging motion graphics and composites, with excellent multigeneration performance and a mathematically lossless alpha channel of up to 16 bits. 5. video comes more down to signal chain and how you process your files. As soon as I saw the announcement, I was curious. If not, I'll stick with my 720p Cineform. Or even still frame sequence . . The only issue is the very large file size, but if storage is not a problem, you could hardly do better than Cineform. Original . To use it, you must enable it's plugin. Add it to the Render Queue and render it out. 0 we’re changing the default preview codec for most new sequences created from media to Apple ProRes 422 LT. In Premiere 23. Meaning that all frames are complete data-sets for that frame. Add a comment | 2 Answers Sorted by: Reset to default 1 In Media Encoder you first need to select your destination format as Quicktime. It's not ProRes that is buggy, as hundreds of high-quality productions in that codec prove. These were encoded by Adobe Media Encoder to the MOV container using Avid’s official Quicktime codec. Different codecs are optimized for different purposes. ProRes 444 is 12-bit. CineForm seems to use 0…1023. 264 is one of the worst codecs you can edit. NOTE: It is important to note that, by default, choosing Apple ProRes 422 Proxy creates a proxy file at the same resolution as the camera master file. 264 files to a 4:2:2 using NeoScene to coddec of Cineform 422 on the ProRes 422 with MPEG clipstream or Adobe Media Edcoder? Thank you. Cineform is about 235 Mbps from what I understand and is closer to Prores 4444 (might be overkill). UPDATE: WHY USE HEVC – PART 2. Upvote Translate. The frame size. GoPro CineForm，无论是在Windows还是Mac OS. Change the Sequence Settings to one of the following codecs for rendering preview files: ProRes, DNxHD/HR, or GoPro Cineform. 264/AVCHD, own that space now. It has a target data rate of 102 Mbps. Apple ProRes formats, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats. CineForm - An open-source video codec created by David Taylor, David Newman, and Brian Schunck. Speed wise- ProRes realtime, Cineform+GV HQX 2x faster than realtime, DNxHR HQX 1. 動画A、Bそれぞれを1920×1080にリサイズして書き出し。 ビットレートの詳細情報をMediaInfo(ソフトウェア)と、ffmpeg -i <inputfile>コマンドで確認。Because h. And we’re talking intermediate codecs, here, we’re not covering camera codecs. 264 instead (at the same data rate). 264/265 - Shutter’s got better codecs ;-) Another possibility is that CineForm will gain in popularity in relation to other intermediate mezzanine codecs like ProRes and DNxHD. ProRes has also 1/2 resolution decoding mode, just no one implemented it (except FCPX). You won't want less than ProRes 422 HQ for final results anyway. Posted by Lukas Dreser on October 6, 2014 at 4:14 pm. - LR Timelapse, Lightroom, After Effects, Photoshop, Premiere, FCP 7, Quicktime 7, GB Deflicker, CHV Time Collection, ProRes vs CineForm, Photomatrix, GBS Timelapse & more. 976. I am a paying customer. MXF should work as that is also SONY. Where it says 'Preset' click on this and then select 'Custom'. It uses clever code to compress the raw data and a set of metatags to describe how the raw data is handled (for example ISO and white balance). If you want higher precision (I doubt you ever will) then you have DPX, TIFF and EXRs or 12bit in DNxHR, ProRes and Cineform (intermediate codecs). Davinci Resolve decode: Native, YUV 10-bit, RGB 16-bit. 264 for possible quality though much bigger in file size. 9 GB - 66,398 kbps overall (2 hevc video streams of 29,968 kb/s) 5. MFX as mentioned above is a container that can hold intraframe or interframe codec. The selected format determines the preset options that are available. As such ProRes is available in the following modes, from lowest quality to highest: ProRes 422 Proxy; ProRes 422 LT; ProRes 422; ProRes 422 HQ; ProRes 4444; ProRes 4444 XQ; 4444 and 4444 XQ are super high-end versions of the codec meant for situations where 4:4:4 chroma subsampling and/or an alpha channel (transparency) are required. Fixing mistakes on watch down can be easily repaired and a re-export takes a. Mezzanine files formats (also known as Intermediate File Formats) are higher quality files that can behave like original camera formats or what’s. e. 264. PCs can easily play back and edit ProRes files, but you can’t encode new ProRes files on a PC as easily as DNxHD, and so some editors prefer a DNxHD workflow for that reason. ProRes 4444 vs GoPro Cineform for color. Apple ProRes 422 is a high-resolution compression format from Apple. Native IMF, IMP, Apple ProRes formats, HT‑J2K, Kakadu jpeg2000 formats (including Dolby P3D65) Apple ProRes formats, Kakadu jpeg2000 formats, Studio for >=4k/Dolby P3D65/HT‑J2K. mov. I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. AVC. Aug 19, 2022. I want to preserve as much quality as possible because the videos will be edited into into 1080p non-VR video in premiere pro. I’ve seen DNxHD/HR be. Y si le. Codec science is unbelievably complicated. 嘿，这里是 源源捣。 最近我为大家分享了利用DNxHR、Prores、CineForm这类中间编码文件代理剪辑视频的方法，不过前不久在我为大家分享如何用PR制作三连小动画时，片尾提及了动画编码格式。因此本文会为大家更加详细的介绍一下动画编码格式以及它与其他三个编码器的适用场景。The quality difference between using something lossless and a purpose-built intermediate codec like ProRes, DNxHR, or Cineform is going to be negligible after you compress to h. Various containers have different compatibility with various codecs. 264/H. ProRes 是一种中间编解码器，这意味着它们用于影片编辑期间，而不是用于实际观看。. It has a target data rate of approximately. No alpha. . fantawalter. This means that they can play back and edit with ProRes just fine, but they are unable to export the results of those edits. ProRes data rates look a lot line Cineform and RedCODE data rates. 9 less in size than x264 "Real Lossless" 422 10-bit Yes, if you throw away data you get smaller files. Re: Cineform or DNxHD intermediates for editing in Resolve 1. Even crapy old laptop will do it. Community guidelines. How: Change the Sequence Settings to one of the following codecs for rendering preview files: ProRes, DNxHD/HR, or GoPro Cineform. So it’s best to use codecs that are so good you can use them for export, enabling Use Previews in the export settings. Worth mention is that one have a Quality slider for all CineForm exports. Much like the H. Its incredibly CPU intensive for a CPU to decode in a video editor. 9-inch (3rd generation) and later; iPad Pro 11-inch (1st generation. Finally, if you want a small file size and ease of editing, consider a lower-resolution ProRes or DNxHD file. 1, MacOS 12. ago. The bigger the footage (1080p, 120fps) the harder it is for your computer to decode and display. Those formats are made to hold up to being re-encoded while being very fast to encode/decode. So why not H. CineForm Intermediate is an open source (from October 2017) video codec developed for CineForm Inc by David Taylor, David Newman and Brian Schunck. Best file format to use on YouTube. DNxHR and ProRes are comparable in quality at the same bitrate. Avid DNxHD vs. professional. Davinci Resolve encode: YUV 10-bit, RGB 16-bit. 5) 4. ProRes 4444 XQ is supported on OS X Mountain Lion v10. DaVinci Resolve 17. Alpha Channel support. Ps. Exporting out of one generation (camera originals) of H. Blackmagic Design admits that Blackmagic RAW is one of their biggest announcement yet. In a proxy workflow, you convert your original camera media to a more edit-friendly codec while you’re working in your NLE. It uses a lot of cpu power to decode and display the data in h. CineForm 422 vs ProRes 422. isn't it rather unprofessional not to support basic open formats. 26X series (The newest is H. ビットレート比較. I am pretty happy with the results and files works smoothly on both workstations, windows and osx. So. MXF should work as that is also SONY. ProRes/CineForm/DNxHR caught on because of the platforms which decided to use them. I’ve always strongly felt that cineform’s 4:2:2 space is an advantage for many types of work, so I’m surprised to see so many people going for 4:2:0 prores LT. If, for some reason, you can't use or don't want to use . Render any clips that do not playback well or if they have effects applied to them. Various containers have different compatibility with various codecs. However, ProRes is optimized for editing and requires the least load on your system during the edit of other potential codecs. Distribution: An. . 4. But making a video isn’t the same as writing a blog post. The biggest advantage of DNxHD over Cineform is that DNxHD compatibility is much greater. 264 format. 1. 264 for possible quality though much bigger in file size. ProRes is so 2007. There are a plethora of free GUIs for ffmpeg for those unfamiliar with the command line. Long answer: Hardware manufacturers (cams, dvrs, atomos, gopro, etc) still encode their captures with these codecs, and we need them for compatibility of workflow projects. Daniel2 is different. Dnx is the way to go. Where a GPU might only need 10W to decode 4k Cineform, 4k ProRes might draw 25-50W on the CPU (numbers only used for illustration purposes). I wish DNxHR had a comparable result to ProRes 422 LT but it only seems to have an equivalent to 422 HQ. Existing ReelSteady Go app users, however, can use their existing. 返回首页. _哔哩哔哩_bilibili. It is the successor of the Apple Intermediate Codec and was introduced in 2007 with Final Cut Studio 2. The guys at Blackmagic Design don’t sleep. ProRes 4444 (avg: 67. 264 is interframe, meaning it stores the data. Lesser-used, smaller resolutions include 1280x720 (720p, also an HD format), or 720 x 480 or 720 x 576 (“SD”). Ps. H264 file and, it now looks like crap and looks slightly compressed, slightly, but enough to notice and not understand why it always looks like crap after exporting from FCPX. Now, there is a (cheap or free) solution to get ProRes out of your PC PP, based on a trick that it hooks into the frameserver PP seems to have. Studio for >=4k/Dolby P3D65. 264. Everything in the folder is reencoded from 4k h.